The Beach Boys

What follows is an erratic look into the career of The Beach Boys. It's not definitive, nor is accuracy guarenteed, but hopefully you'll share in my renewed appreciation of their music.

The Beach Boys' legacy is an odd one. Far from the fairy tale of The Beatles, their career suffered its fair share of hiccups (and genuinely bad songs), leaving their story fragmented and at risk of being unheard by generations to come. It real shame because theirs is a story worth hearing.

Till I Die

The Early Days

One chapter of The Beach Boys tale that will never be forgotten is their surfer music. Songs about surfin', girls and cars will survive for years to come, long after this fun-loving culture is obselete. And while they certainly weren't the first band to use vocals harmonies, they did it in a way that made the listener aware and appreciative of this amazing effect, without sacrificing accessibility. In the eyes of history, surf music is The Beach Boys.

Surfin' Safari

But while this music is fun to listen to, it isn't what makes The Beach Boys worth remembering. Instead, it's their efforts to use their position, at the helm of popular music, to steer listeners into new directions. This where their story gets a bit rocky. And while it's safe to say that they failed in the their endeavour, they made some great music in the process. It turns out there's more to The Beach Boys than just surfin' safaris and good vibrations.

All Summer Long

Pet Sounds

The Pet Sounds era is another piece of Beach Boys history that will be safely remembered. An amazing album in its own right, it didn't actually sell that well upon initial release, but widespread critical acclaim has ensured it will live on. This has been helped in part by it's significance in The Beatles story. Inspired by Rubber Soul, Beach Boys mastermind, Brian Wilson quit touring to focus on writing their next album. The result was Pet Sounds, which would in turn inspire The Beatles to create Sgt Peppers. This tale is what first prompted many Beatles fans, including myself, to seek out Pet Sounds to see what all the fuss is about. And since The Beatles aren't about to be forgotten, Pet Sounds will remain etched in musical history.

God Only Knows

Smile

Brian Wilson's follow up masterpiece was to be called Smile, an ambitious project which would push The Beach Boys into completely new territory. The first single, Good Vibrations, was a huge success, despite it's relatively complex nature. But all this anticipation along with in-band fighting, record label demands, drug abuse and the release of Sgt Peppers meant that it never saw the light of day. It was a spectacular collapse and one they would never recover from. The rest of their career was inconsistent at best and as a result, a lot of quality work went largely unnoticed.

Good Vibrations

The myth surrounding Smile lived on for many years. A couple of songs popped up on future albums and diehard fans clung to unreleased demos, but it wasn't until 35 years later, when Brian Wilson returned to complete the project, that the story got its happy ending. The final result is quite epic indeed. If you want any chance of appreciating this album, you need to set aside some time and really LISTEN to it. It's quite amazing how it all unfolds.

Heros and Villians

The Later Years

And now to the very reason I am writing this post. The often-ignored later years. Up until recently, I knew nothing about The Beach Boys after Pet Sounds. And to be honest, I didn't really care. I was under the impression that they faded into obscurity and lost their touch, but it's not true. The Beach Boys did enough during this period that we shouldn't be so quick to dismiss it.


It all began when my brother bought home a vinyl copy of Surf's Up. As you can see above, the contrast of a dark, disturbing cover image, with the care-free connatation of title is quite striking. It's quite indicative of what The Beach Boys were going through at the time and after a few spins, I quickly became fond it. The album features a number quality composiitons from other band members, along with sounds you wouldn't noramally associate with The Beach Boys. It made me think twice about what I thought i knew and left me wanting more.

Looking At Tomorrow

As it turns out, the story behind the album isn't as quite as I imagined. There was 5 albums between Pet Soudns and Surf's Up and none of them had done very well. Brian Wilson was growing more and more distant and the fans sorely missed him. Surf's Up was a notorious track from the Smile era; Brian Wilson's equivalent of 'A Day in The Life'. It was added to the album and made the title track in a bid to sell more copies. Certainly not the stuff of fairy tales, but I've come to accept that when in order to find the gems in their later career, you're going to find some dirt.

Surf's Up

By no means am I an expert on these later years. I am taking my exploration very cautiously, listening one album at a time, starting with the most critically acclaimed. At the moment I am listening to Sunflower (1970), which is even stronger than Surf's Up. Next on the list will be Friends (1968). Sure, this dream run of discovery will probably end eventually, but for the moment, I'm loving it.

This Whole World

(wow, picking a track off Sunflower was hard...go listen to the whole album!)

((and one more because it's awesome))

Loop de Loop (Flip Flop Flyin' in an Aeroplane)

Red Riders

Red Riders had me worried for a while. Band members were leaving and time was ticking by without much action. It was a shame, not just because of the awesome music they proudce, but because they're genuinely nice guys. So it's great to see that they're back on track and sounding better than ever. They've picked up Brad Heald from The Vines and will be releasing their second album in early July. The first single to come off it was You've Got a Lot of Nerve. I liked it from the beginning, but the more I listen, the more I enjoy. Check it out if you haven't already:

You've Got a Lot of Nerve

Following this is the brand new track, Ordinary. It's quite a simple song, but that's what makes it so endearing. It skips along casually, spreading an air of warmth. I'm not sure if it was Brad's doing or more great work from the others, but damn those guitars sound good. To top it off, they've put together a cool little video to go along with it:

You can pre-order Drown In Sound from JB Hifi online. It's only $21.99 and comes with a bonus cassette of demos. Not only that, but if you pay with Paypal (or a credit card through Paypal), you'll get free postage. Great band, great deal. Get into it!

Oh and I almost forgot. Red Riders are playing as part of the Ivy League benefit gig to Save FBI. It's for a good cause they're playing more great bands. Gooooooooooooooooo.

Myspace

HIlotrons

It's very likely that you've never heard of Hilotrons. Not many people have. It's one of those great musical mysteries that escapes me to this very day. Here's a band making music that's edgy, energetic and outrageously catchy, yet nobody listens. At times their music is infectious, sucking you into an frantic body-moving frenzy, yet nodbody is dancing. What went wrong? After reading a review that expressed similar disenchantment with this band's criminal level of underappreciation, I'm stepping out with my support. Hilotrons put out a new album this year, Happymatic, and it's shaping up to be another powerful release. I'm still warming to it, but it's definitely reignited the Hilotrons fever. Here's a song from that album, along with a cracker from their last album, Bella Simone.

Lovesuit (Happymatic. 2008)

As I mentioned, the new album doesn't quite excite me like the last one did, but knowing myself, this could very well change soon. Here's a song thats up there with my favourites so far.

Isis (Bella Simone, 2005)

I thing this songs gives some clues to why Hilotrons have been so widely ignored. Sadly, the moments of utter brilliance (yes, BRILLIANCE), are mixed with moments of the ordinary. If they could channel their talent into producing music that maintained the intensity throughout, the result would be devastating.

Restore the musical balance. Get your Hilotrons on.

| Website | Myspace |

Dappled Cities - The Price

It begins. In just a few months, Dappled Cities will release their 3rd album, Zounds, and if past experiences are anything to go by, it should be totally freakin' amazing. I’ll save my schoolgirl swooning for the actual release, but let’s just say I’m excited. Yesterday the band unveiled the first single off the album, The Price. I’ve been drawn to this song from the moment I first heard it in a sound check. That was a full 12 months ago and since then it’s undergone plenty of transformations, evolving to become the track we hear today. This refinement becomes noticeable when you put on a pair of decent headphones and give it a proper listen. It’s a mix of intensity and intrigue. On one hand you’re getting attacked by thumping drum fills and sweeping keyboards, but at the same time discovering buried riffs and extra layers. It’s exhilarating without being overwhelming. This mix of subtlety and dynamism has always been Dappled’s trademark, but with more experience and an unprecedented level of production, expect big things from Zounds. In their own words, it's "the album we’ve always wanted to make".

The Price

Head to the Dappled Cities Website and download the full single package, which includes a b-side and two experimental film clips. And of course, don’t forget to check out the Alphabeats clips hehe.

Last Dinosaurs

This band divides me in so many ways. On one hand, I've found their sound refreshing and instantly appealing, but at the same time I've been listing the bands they appear to be ripping off. One minute I'll be digging a melody, the next cursing them for repetition. There's so much contradiction going on, I'm beginning to wonder if we're schizophrenic. But whatever the case, this is a band to watch. They have a number of very strong songs that are sure to get some attention. In fact, it's more than likely I'll be hating them in about a year, meaning they're set to do quite well. They hail from Brisbane and will be coming to Sydney soon to play a few shows. Both my selves will be keen to see how they go.

Honolulu - This was the first song I heard and it clearly did something right because it spurred me into further investigation and eventually this post. It's got a nice groove to it, reminding me of Vampire Weekend and the way their songs seem to flow so effortlessly.

Myst - This song is eating away at me! You know when you hear a song that reminds you of something and you try desperately to work out what it is? Well this has been my last half hour. Listening to it on repeat, banging my head in frustration. Its quite a shame, because it's actually a good song. I just need some closure. Feel free to put me out of my misery if you spot the reference.

Myspace

1 - Girl Talk

The first album was a novelty. The second album is.....also a novelty. But its a damn fun novelty. The insane variety of samples, mashed together so effortlessly, is almost too much for the mind to comprehend. But whilst the last 50 years of music are competing for a cameo, there's wicked beats flowing through every song. I'm looking forward to this live show so much that it will also be my first sideshow for the year.

In Step

| myspace |

2 - Jay Reatard

I haven't listened to much, but then it doesn't take much to realise that this will be a performance not to miss. Short, fast punk-pop can never fail.

Always Wanting More

| myspace |

4 - The John Steel Singers

I wouldn't exactly call this Brisbane band a highlight on the Laneway bill, but after seeing them live recently, I can testify for their worthiness. The first time I saw them, they were a fun six-piece with a sit-down keyboardist (meh). Now they're a rockin' troupe with some killer songs and great live energy. If only their album didn't come in a Jeans pocket.....hehe. Shame on you Levity.

Rainbow Kraut

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Decoder Ring

Last Saturday, Sydney band, Decoder Ring played as the feature act of the Riverbeats festival, a multicultural arts celebration on the banks of the Parramatta River. The location was certainly out of the ordinary, as far as gigs go. The stage was set up on one side of the river, with audience on the other. Above the stage was a giant white dome, with images being projected onto it. As you went down the river in either direction, there was an assortment of lights and candles and two more giant domes. It was certainly worthy of being called spectacle.

Such a setting could not have been more perfect for a band like Decoder Ring, whose music is truly epic. Sure, this term gets tossed around alot, but I'm talking about the expansive, emotional sounds you hear coming of bands like Sigur Ros and Mogwai. The sweeping soundscapes, compounding layers of instrumentation and descents into chaos. This is where you'll find Decoder Ring. And just like Sigur Ros, they know how to use visuals to build on the impact of their music and create that complete experience.

This particular Decoder Ring experience began with a visual montage, soundtracked by them and projected on to the giant domes. It was a fast-paced stream of images that featured, amongst other things, raindrops, monsters and giant sets of teeth. It kept things interesting while the band set up and really built the atmosphere for when they arrived on stage. Their actual set was even better. The lighting, location and nature of their music made for a very awe-inspiring show. The highlight was the final track, Welcome Shoppers, which builds with immense power and then progresses into an awesome rock-out. And if that wasn't enough, fireworks erupted as the final notes were played. It was pretty hard not to be impressed.

Welcome Shoppers

Decoder Ring recently traveled to America to record their new album. Expect to hear more of them very soon.

Website | Myspace

Ernest Ellis

Ernest Ellis is a relatively new band out of Sydney, playing their first show just two weeks ago. I managed to catch the end of this set, and was quite intrigued with what I saw. What struck me most was the diversity of their sound. Each song seemed to remind me of a different artist. If you head to their myspace, you can hear a TV On The Radio song (Want For Anything), a Sea And Cake song (Holiday) and even a Bit By Bats song (Bad Blood). I don't make these comparisons in a negative way either, because not only the similarities are subtle, but these are all great bands to be channeling. The varying sounds are combined well to create some rather interesting music. It's early days yet, but Ernest Ellis certainly have my attention. They've also got the attention of Dew Process so expect to be hearing a lot more of them soon.

Bad Blood

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The Temper Trap

The Temper Trap are one of those bands gifted with an incredible voice. When lead singer, Doug, hits full stride with his singing, the result is a display of immense power. It's crisp, focused and seems to project endlessly. But of course vocals are just one part of a very complicated equation. You need to write music that supports and strengthens them.

About 18 months ago, The Temper Trap burst onto the scene with their debut EP. The songs were solid and catchy, but it was the vocals that were left to hold them up. They played a run of shows and then disappeared as quickly as they arrived. Well now they've returned with a host of new material and this time it looks like they may have got the balance right. As if to make a statement, the old songs have been completely dropped.

I got the chance to see them live last Thursday and was thoroughly impressed. Clearly, this is where The Temper Trap strive. Despite more than 90% of the songs being unfamiliar, they managed to keep me engaged and entertained from start to finish. I loved how it wasn't just left to Doug to capture your attention. The whole band was moving around, singing in choruses and adding to the energy of the show. Jonny on bass is always a favourite. You won't find a more animated bass player anywhere.

The highlight of the show was easily their new single 'Sweet Disposition'. From the few times I had heard it on radio and myspace, I knew it was going to be good live, but on the night it surpassed all expectations. The nature of the song, combined with some well timed lighting led to a build up in energy so intense that when the chorus finally hit, the whole place exploded. I can vividly remember turning to a friend, both of us grinning uncontrollably, lost in the sheer awesomeness of the moment. The crowd applauded for a good minute afterwards and the band had to wait for everyone to stop and get their breath back. Brilliant.

Mp3: Sweet Disposition

They must have done something wrong last time they were around because every second person I've spoken to lately seems to be a hater. To those people, I say forget your issues and go see them with an open mind. Because in terms of music and performance (ie the things that matter), The Temper Trap have the goods.

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New Devoted Few

A few months back, I got my hands on an unreleased album and was told that should I leak it, I would die a horrible death. Not being too keen on such a scenario, I obeyed and kept it to myself. That album was the long-awaited third release by Sydney band, The Devoted Few. It's titled Baby, You're A Vampire and it's grown to be one of my favourite albums of the year. With it's release fast-approaching, I reckon it's about time everyone started paying attention.

The Devoted Few have had some success in the past, largely thanks to their killer single, Sleepless, but with this new album, I'm sensing something more. When I first saw them live, about 6 months ago, I was highly impressed by a set filled with unfamiliar songs. As it turns out, nearly every one of those songs appears on this album. The Devoted Few are well and truly looking forward and they've got the substance to back it up.

Look out for a full album review closer to the release date. In the meantime, check out their website and myspace page for an assortment of content, including previews of tracks from the new album. I believe they only stay up for a short period before being rotated, so get in quick.

Here's their brand new single: The Death Of Us

The Middle East

The beauty of music in today's age is just how easily it spreads. Once upon a time it took money and major support to get your music heard. Such forces still exists, but the internet has changed the game. Music can spread purely on its own merits, independent of the band's efforts. If a song is good enough, the listeners will do the promoting. Take, for example, the song 'Blood' by The Middle East. By all logical explanations, I shouldn't know it exists. The band is based in Townsville, over 1000km away. I had neither heard or heard of them before today. The friend who recommended them, discovered them on an indonesian blog. An INDONESIAN blog! How that blogger came across them is anybody's guess. For all I know, there could be dozens more links in the chain that has carried the music from the band and on to me. But again, thanks to the internet, I probably won't be the last in this chain. Spread, music, spread! It just goes to show that promotional efforts pale in comparison to the importance of composition. Write a good song and it will do the rest.

Blood

This song has an immense power to it. It starts soft, with smooth, honest vocals, accompanied by a subtle array of colourful instrumentation. This builds gradually, finally culminating in a rich vocal chorus, swelling with emotion. It's the sound of a truly great band, entering their element. Who are The Middle East? If only I knew.

Of Montreal (again)

Ah, there's no better time to be alive than when Of Montreal is in season. The sun is out, the flowers are blooming and there's a buzz of activity in the air. You can almost smell the excitement in the air. No? Ok so I may be talking rubbish, but a new album by the band has me swept up in Of Montreal fever.

Gallery Piece
Skeletal Lamping is due for release in under month and sadly, early impressions aren't good. I've listened through more than enough times, but I'm not feeling anything. It reminds me of 2005's The Sunlandic Twins. Barring the occasional standout, that album lacked the quality I had come to expect and these days I barely acknowledge it. Hopefully this album doesn't go down the same road. Gallery Piece is the first song to grab me so far. I'm wary of posting it in isolation though, because much of its strength comes from its contrast to previous songs. It certainly gets my attention when it kicks in, but on it's own, it might just seem annoying. Consider that a disclaimer.

Eros' Entropic Tundra
Even if it does turn out that Of Montreal release albums on good-bad cycle, we at least have two things to be happy about. Firstly, the NEXT new album will be absolutely brilliant (even if it is a tad early to get excited). And secondly, we still have the old albums to enjoy. This song comes from 2004's Satanic Panic In The Attic, which remains my favourite album to this day. This is the first Of Montreal song I ever loved and also has some similarity to the above song, by flaunting the delicate line between annoying and heavenly.

Heimdalsgate Like A Promethean Curse
At least with Of Montreal I have an excuse for not remembering the track names. Thanks goes to my housemate for bringing this song, off 2007's Hissing Fauna, Are You The Destroyer?, back into the spotlight. The moment when that beat drops is so powerful, so euphoric, that it's impossbile not to get swept up.

| Website | Myspace |

The Basics

For those who don't know, The Basics are a band out of Melbourne who are simply oozing with 60s pop charm. Every song they produce is a little gem, filled with swooning harmonies and predictable hooks. Yes, their music may be relatively simplistic, but it doesn't matter when it's this addictive. If you ever need a fix of "come ons" and "oooh babys", The Basics know how to deliver.

This month, they are in the middle of conducting a two-state residency. Every Tuesday, they play in Sydney, at the Hopetoun Hotel and every Thursday, they play in Melbourne, at The Evelyn. If you live in either of these towns, I'd highly recommend going along. The Basics are one of those bands who really shine when they play live. The catchy songs and brilliant voice of Wally (Gotye) would have been enough, but their charm takes the show to a whole new level of entertainment. Catch them while you can!

P.s. Sydney-siders get the added bonus of seeing Cuthbert & The Night Walkers this Tuesday (19th). Woo!

| Website | Myspace |

Little Red

The first time I saw Little Red live, I was blown away. Simple, fun pop songs about love? Four vocalists singing their hearts out? What was this!? Little Red are a band who would have fit right in in the 60s, but here in 2008, there's nothing quite like them. Their set was so refreshing, so unexpected, that I walked away with a great big smile on my face, eager to find out more about this bizarre Melbourne band.

Coca Cola

Sadly, the euphoria didn't last long. After buying their debut album, I only got through 2 songs before a friend intervened and turned it off. We were both in shock. The vocals were rough, the instrumentation cluttered and the whole thing just sounded sloppy. How on earth did this make it to record? I was disappointed to say the least.

Thankfully though, as time has passed, things seem to have evened out and I'm beginning see where Little Red truly stand. Subsequent listens of their album have shown that it really isn't all that bad. And besides, it was never meant to be perfect. Part of Little Red's charm is that there's four regular guys up there having a ball. Don't get me wrong, they can sing, but there's a trace of amateurism that keeps them grounded and in a way adds to their appeal because you can identify with them.

It's Alright

And as their album has gained some ground, their live show has been knocked back a peg or two. Not because its particularly bad, but more because the initial effect wore off. Their show is all about atmosphere. If you're in the mood to have some fun, they know how to deliver. But if you're merely sitting through their show, waiting for a headline band, they can be a bit of drag. It's really up to you.

Little Red may have fallen on middle ground, but I still think they're a great band. Their songs are catchy and performances entertaining. Bands like this will always have a place in the music scene. If you ever get tired of serious music appreciation, turn to Little Red, they'll know how to treat you well.

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Pivot

Tonight Pivot will be launching their second album, O Soundtrack My Heart. Why am I telling you this only hours before the show? Why am I not waiting until its over before reporting? Well because its sold out. For those of you who got tickets, you'll already be on your way. The rest of you are stuck with me. At least we all get our fix of Pivot tonight.

In The Blood

UPDATE: Check out the crazy video for this song.

If you didn't already know, Pivot are an instrumental band out of Sydney. They're sound is centered around the insane talents of brothers Richard and Laurence Pike. To put it in perspective, I would probably rate Laurence as one of the finest drummer I have ever witnessed. He was actually the first to make me really appreciate the art of drumming. As for Richard, he may not be the most technical guitar player, but he certainly has an ear for when to play and what sounds good. These two are joined on stage by Dave Miller who plays a rather unorthodox role. Armed with a laptop and control desk, he's in charge of samples and some live mixing of the others' feeds.

Their new album is quite an impressive release. I listen to very little instrumental music, so its out of the ordinary for me, but within a few goes I was hooked. It's defintely not your average, easy-listening album. Everything from erratic drum beats to strange computer noises have you guessing. But this experimental side is then given some of direction when they lock into a particular riff, building just enough before moving on. There's also a number of more spaced out moments which I enjoy. Rather amusingly, the keyboard sounds in the final track always seem to remind of the movie Bladerunner. It's not often you get hear the sounds of Vangelis being channelled by a modern band. This album is a compelling listen, and one I'd highly recommend, but I'm still unsure how well it will stand once the intrigue wears off.

In live the department, I'm in two minds. On the one hand, its awesome. These are top class musicians performing top class music. I saw them the other night when they supported Sigur Ros and was fully engaged the whole time. It was only the second time I'd seen them and I knew none of their songs, but something drew me. I think the lack of vocals means you aren't distracted and can really focus on where all the sounds are coming from. Its quite a diffferent experience. But on the other hand, the use of samples really bugs me. There's alot going on in these songs and yet there's only two people up there playing instruments. At one point it seemed like a lead guitar part was being sampled, while Richard was playing the occasional note. This just disappoints me. I dunno, perhaps I'm missing the point, but I would like to see them scrap the computer guy and play with a full band, as they did when they formed.

O Soundtrack My Heart

One way or the other Pivot are making some interesting music which you should definitely look into. Hopefully they'll play again soon before being whisked off overseas.

| Website | Myspace |

Vampire Weekend

In just over a year, Vampire Weekend have gone from being a little-known New York secret to a worldwide phenomenom. The extent of their rapid rise to fame hits you in the face when you go to see them live and realise they barely have enough songs to fill a headline set. But it really is no suprise that their music is so widely loved. Their clean, African-infused pop is so simple, so catchy, its just too good to resist. Their debut album is an exhilarating display of music that doesn't disappoint for a moment. Sure, the effect has worn off a little, but I can still remember how fresh every song felt when I first discovered it. I'd say this video, which is absolutely brilliant, nicely sums up the fun and energy that comes with Vampire Weekend.



Seeing them live was a whole new experience. I was a little hesitant going in, but they delivered in spades. The first thing I noticed was the crowd response. The show sold in days, but this was months ago, at the height of their spectacular rise. Perhaps the enthusiasm had worn off? Not at all. The venue was packed and they were singing every word. It was pretty cool in songs like M79 where Ezra stood so far back from the microphone for the chanting bit that he was barely auidble, but all he had to do was open his mouth and the crowd sprung to life, singing it for him.

The other thing that struck me was just how sparing the instrumentation is. Watching the musicians, you realise that the guitars and keyboards are only being played half of the time. This means that along with the rhythm section (drum and bass), the vocals are left to drive the song. There's not many other bands out there that are leaving themselves so open and still coming away strong. It's what allows them to achieve such nice clean sound. Their songs are solid enough that all Vampire Weekend had to do was come out and perform them and everyone would have been happy. Instead, they delivered all their charm and put on a great show.

Cape Cod Kwassa Kwassa

| Website | Myspace |

Cut Off Your Hands

Cut Off Your Hands are another band who have been sitting in the back of my consciousness for a while. Hailing from New Zealand, their furious blend of pop music has seen them rise to international fame at great pace. I've always liked their music, but it's never been enough for me to follow them closely. Perhaps it was because I was yet to see them in their element, performing live. Well the other day I got my first chance to see them play and what an interesting experience it was. From the very beginning they were all guns blazing and by this I mean going totally insane. Lead singer, Nick, was jumping of the stage, writhing around the floor, running wherever he found space and even spitting into the crowd (he sure knows how to win fans). And this was all in the first ten minutes! It really was quite an onslaught. But then he either got tired or bored and the rest of the set was played out in a lower (but still insane) gear. It was an ironic reflection of how I feel about their music. Their songs are incredibly catchy, but they lack a certain depth. They are masters of immediacy, grabbing your attention in an instant, but sadly it doesn't last. I think half the problem is that their songs all sound quite similar. Whenever I hear a song in isolation, I think its great. But if I listen to them one after another, they begin to blend together. COYH have plenty of promise, but as it stands, they are a band best enjoyed in short bursts.

Still Fond

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Mercy Arms

When I went to see Mercy Arms last Sunday, it was after a long and gradually drift away from their music. Two years ago, I thought they were great. Half Right was a killer track and I was excited to see where they were heading. Unfortunately, apathetic performances, a disappointing EP and a general sense that they were more concerned with their image had begun to turn me off. But I was willing to give them another chance. Hopefully I had been imagining things.

Sadly, their live show did nothing to change my mind. They seemed to go through motions, failing to really capture the audience. Their music may have an experimental nature to it, but that's not an excuse for the lack of connection I felt. Even the songs I knew well failed to have an impact. But it wasn't all bad news. One of the newer songs, where the chorus repeated a girls name (i think it was susana), sounded great and I look forward to hearing it again. But by the same token, another new song, which had Kirin howling and doing spoken word, was just woeful (I'd be quite impressed by his guitar work if he didn't act like such a freak).

Everything good about this band seems to be followed by a 'but'. If only they stopped messing around they might be capable of becoming a great band. I'm yet to hear their new album, though I must admit I'm quite doubtful. The new recording of Half Right is sounding as good as ever, BUT the cover art is atrocious. Lets hope the but stops here.

Half Right

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